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Grantees
Greg Allen
Myron Beasley
Douglas Crimp
Clare Davies
Natasha Degen
David Deitcher
Tim Griffin
Matthew Jesse Jackson, Andrew Perchuk, and Christopher P. Heuer
Alexander Keefe
Jesse Lerner
Lucy R. Lippard
Leora Maltz-Leca
HG Masters
Ara Osterweil
Raphael Rubinstein
Andrew Russeth
Irene Small
David Spalding
Tom Vanderbilt
Sandra Zalman
Tom Vanderbilt
(Short-Form Writing)
Tom Vanderbilt writes about art, design, architecture, science, and technology, and contributes to a wide range of publications. He is inspired both by the engaged, generalist writers of the past—such figures as Lewis Mumford and George Orwell—and by C.P. Snow’s dictum, outlined in
The Two Cultures
, to lessen the gulf between disciplines in an effort toward greater understanding and richer social discourse. Whether exploring the elusive relationship between artistic truth and evolving technological means (in an
ID Magazine
piece on Clifford Ross), theorizing the expanding role of the screen in public space (in an
Artforum
essay on Doug Aitken), excavating the “underground” art associated with the Cold War-era missile defense program, or delineating the tension of artistic representation in the face of a totalizing media message (in an
Artforum
review of Sarah Morris’s documentary work on China), he is interested in visual culture as a polyvalent social force.