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Beyond Worlds: The Art and Life of Hong Xian
2024 — Short-Form Writing
Short-Form Writing
2024 — Book
Unsettling Art Criticism: Alaska Native Art After 1960
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Deviance, Penetration, and the Erotic in Aïcha Snoussi’s Drawing Installations
2024 — Short-Form Writing
Short-Form Writing
2024 — Short-Form Writing
Short-Form Writing
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Vivian Browne’s Black Internationalism
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Human Energy: Oil Erotics, Violence, and Queer Desire
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Monte Adentro
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Comics in Movement
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Marlon Riggs and the Black Queer Cinematic
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Water Protectors: Indigenous Art as Reimagination from the No Dakota Access Pipeline NoDAPL Movement
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Mexico City: Spatial Politics in Art at the Turn of the Twenty-First Century
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Making San Francisco Chinatown
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A Diary of Dependency: Artists Process Museums
2024 — Short-Form Writing
Short-Form Writing
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“Somos Libres?!”: Alternative Art Networks and Latin American Queer Diasporas in 1970s Amsterdam
2024 — Short-Form Writing
Short-Form Writing
2024 — Short-Form Writing
Short-Form Writing
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Maruja Rolando: On-Site
2024 — Short-Form Writing
Short-Form Writing
2024 — Short-Form Writing
Short-Form Writing
2024 — Short-Form Writing
Short-Form Writing
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Kuzgun Acar: Forms of Defiance
2024 — Book
Art Against the System
2024 — Short-Form Writing
Short-Form Writing
2024 — Book
Finish Line: V.I.S.U.A.L. Among the Chilean Neo-Avant-Garde, 1975–1981
2024 — Short-Form Writing
Short-Form Writing
2024 — Short-Form Writing
Short-Form Writing
2024 — Article
Out of Water and Dirt: LaToya Ruby Frazier and Kiyan Williams’ Monumental Acts of Refiguration